Kelissa’s back—and she’s done waiting. Nearly a decade since her last studio project, the reggae vocalist is reclaiming her narrative with *The Good Side of Things*, a record she crafted on her own terms. “I created the music I wanted and needed,” she says, and that creative autonomy runs through every track. It’s a statement of intent from an artist who refused to be rushed or reshaped by industry pressure.
After years in the margins, Kelissa emerges with something rare in modern reggae: a project that sounds like it was made for nobody but herself. That’s exactly why it matters.
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Also filed on reggaeodyssey.net.